From Satanic panics to QAnon: A guide to fake news and conspiracies
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From Satanic panics to QAnon: A guide to fake news and conspiracies


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The symbol of the QAnon far-right conspiracy theory

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You Are Here

Whitney Phillips and Ryan M. Milner

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MIT Press

THIS is a book about pollution, not of the physical environment, but of our civic discourse. It concerns disinformation (false, misleading information deliberately spread), misinformation (false, misleading information inadvertently spread) and malinformation (information with a basis in reality spread specifically to cause harm).

Communications experts Whitney Phillips and Ryan Milner finished their book just before the election that replaced Donald Trump with Joe Biden. That election and the seditious activities that prompted Trump’s second impeachment have clarified many of the issues the authors were at pains to explore. You Are Here: A field guide for navigating polarized speech, conspiracy theories, and our polluted media landscape is an invaluable guide to our problems around news, truth and fact.

The authors’ US-centric – but globally applicable – account of “fake news” begins with the rise of the Ku Klux Klan. Its deliberately silly name, cartoonish robes and the routines that accompanied all its activities, from rallies to lynchings, prefigured the “only joking” subcultures of Pepe the Frog and the like that dominate social media.

Next, their examination of the 1980s Satanic panics reveals much about conspiracy theories. They also unpick QAnon, a far-right conspiracy theory alleging that a secret cabal of cannibalistic, Satan-worshipping paedophiles plotted against Trump. This pulls together their points in a way that is more troubling for being so closely argued.

Polluted information is, they say, a public health emergency. By treating the information sphere as a threatened ecology, the authors push past factionalism to reveal how, when we use media, “the everyday actions of everyone else feed into and are reinforced by the worst actions of the worst actors”.

This is their most striking takeaway: the media landscape that enabled QAnon isn’t a machine out of alignment, or out of control, or somehow infected, but “a system that damages so much because it works so well”.

It is founded on principles that seem only laudable. Top of the list is the idea that to counter harms, we must call attention to them: “in other words, that light disinfects”. This is fine as long as light is hard to generate. But what happens when that light – the confluence of competing information sets, depicting competing realities – becomes blinding?

Take Google. The authors characterise it as an advertising platform that makes more money the more people use it. The deeper down the rabbit holes our searches go, the more Google and others earn, incentivising promulgators of conspiracy theories to produce content, creating “alternative media echo-systems”. When facts run out, create more. Media algorithms don’t care: they are designed to serve up as much as possible of what Phillips and Milner call pollution.

The authors bemoan the way memes, rumours and conspiracy theories have swallowed political discourse. They teeter on the edge of a more important truth: that our moral discourse has been swallowed too. You Are Here comes dangerously close to saying that social media has made whining cowards of us all. So what is to be done? The authors’ call for “foundational, systematic, top-to-bottom change” is mere floundering. It has taken the environmental movement decades to work out mechanisms to address the climate emergency. Nothing in You Are Here suggests the media emergency will be less intractable.

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